Friday, September 8, 2017

Hair 'em Scare 'em

I have curly hair.

In other news, the sun is hot and water is wet.

I've been watching the American Crime Story OJ Simpson miniseries, and a strong B plot is the appearance, especially the hairstyle of Marcia Clark.

Seen here in reality, and as portrayed by Sarah Paulson.

Ms. Clark, like myself, is of Jewish heritage. Our hair is very similar, and if mine was cropped, I believe it would look nearly identical, both in style and color.

I've only had one person who employed me tell me my curls were unacceptable. That my hair was too 'bumpy' and had to be worn up while in the office: a policy that did not apply to the other women in the office with long, straight hair.  I have long since left that job, like many many others before me (and for a number of reasons), but the outrage remains.

I am not alone in my experience, or my understanding that there is a stigma against curly hair in the workplace.  I've gotten a number of inappropriate comments and reactions. Kids in middle school threw tape into my hair, so see me struggle and cry while removing it. People would tug my hair, both to hurt me and see the curls 'spring' back (they do). I still get requests to touch my hair to see how it feels.

It feels like hair.

Midge Wilson, Ph D., professor of psychology and women's and gender studies at DePaul University says "The '60s were tolerant of curly hair among whites as well as the Afro for African-Americans and Jews...it seemed loose, free-spirited, even wild...In pop culture, deranged women often have big, uncombed curls. Well-groomed hair is seen as no-nonsense and serious."

I have never been interesting in straightening my hair for daily life; it is both time consuming and difficult. To be done professionally is costly and painful.

For most special events, such as weddings and the prom, stylists choose to straighten and then style my hair.  The notable exception was at my recent friend's wedding, were I was surrounded by other curly haired women.

I am lucky that in my current position, my hair is only expected to be neat and clean. That doesn't mean straight, curly, or even a natural color. I can wear it loose, in a ponytail, clipped, bunned, or in any other way that doesn't look like a total rat's nest.

I reiterate: I AM LUCKY. I have been unlucky in the past, as are many women presently.

I often joke about being the oddball in my family, being vaguely ethnic looking and surrounded by blonds with blue eyes (both natural and faux). My hair is an afterthought usually, something to be brushed in the morning, pulled when I'm stressed, and detangled when I have the time. But when I give real thought to my identity and my hair, they both hurt.

I watch Sarah Paulson play Marcia Clark, knowing a tenth of a tenth of a tenth of what both women have experienced in their lives. I am no public figure, no celebrity or famed lawyer. I am just a regular woman who stops in the 'ethnic' section for her hairbrushes.

And you'd think twenty years after Ms. Clark went on trial in the court of the public for her curls, that I would feel like something had changed for the rest of us.

Thursday, September 7, 2017

The IT Spot: News Round-up

So, before the movie comes out tomorrow, there's a few last minute things in the media I want to go over. First, Cracked did an article about that scene from blog #40. I'd hoped they had new insight into why King wrote it, but there's nothing that I didn't cover. Take that, much more popular website!

In other dumb news, the World Clown Association is getting ready for the release of IT be complaining about how they'll have less work, and how Pennywise isn't a real clown.


No shit. Next you'll be telling me Cujo is no Beethoven. Bastards. Stephen King had this to say:


In all seriousness, it's not like IT is the first or only portrayal of a scary clown. Just off the top of my head we have Killer Klowns, John Wayne Gacy, Twisty, Captain Spaulding, Evil Krusty, Killjoy, young Michael Myers, and the Zombie clown from Zombieland. Stephen King may have the most famous fictional evil clown, but he's not alone.


So, aside from gearing up for the movie tomorrow, I don't have much IT related news right now. There won't be anything new until Part 2 gets rolling. They haven't even announced the adult loser cast yet! So, there's still time to go with my casting choices...


I want these two to Chud it up. I want it baddddd.

Ooh, and in some nicer news, IT is now the biggest horror movie preseller of all time. The last record holder was "Hotel Transylvania 2" which I'm not even going to dignify with a response. That wasn't horror. It was fun, but it wasn't horror.


And hey, did you skip all my blogs, or read all of them and still want more spoilery IT explantions? Look no further!



Anyway, the next time you see an IT spot, it'll be for the movie. Hooray!

Wednesday, September 6, 2017

Can we get back to shenanigans?

Okay, for all my non-horror readers (I'm looking at you, Gizmo) here's a fun, lighthearted blog with no horror elements whatsoever!

Speaking of non-horror, here's a picture of Rami Malek as Freddy Mercury:


You may recall that Borat creator Sacha Baron Cohen was originally cast as Freddy in the biopic. I'm not sure about why he's left, but I think Rami Malek is going to be a great Freddy.

Speaking of people taking over roles, Kate McKinnon is gonna play Ms. Frizzle's (now Professor Frizzle) little sister in the revival of The Magic Schoolbus.


I was a big fan of the OG School Bus, and this looks like a fun revamp. I probably won't be watching, but I'm thirty. I know how the water cycle works.

In other news, I've started reading the novel Ready Player One, just in time to not watch the trailer before it spoils anything.

Spoilers: I watched it before I started reading.

 I'm only a few chapters in, but I'll enjoy the journey/lambasting the movie/praising the movie.

Speaking of lambasting movies, The Death Note adaptation was shitty, and I don't want to talk about it.

Luckily, there's a watchMojo list for LITERALLY EVERYTHING.

Now I'm depressed. I'm gonna go watch a video about the Butterball Cenobite.

 Okay, I lied about the no-horror thing.



Tuesday, September 5, 2017

The IT Spot: Rereading part 41 (the end)

So, after 41 entries, I'm finally closing the IT rereading series. Thanks for sticking with me all this time. I mean, it's been going since 4/20/17. Wow, that is one loooooong reread.



The destruction above ground continues, with earthquakes and a glass corridor between the kid and adult library sections exploding for no reason. Well, no reason that the town knows of. As for the kids, we read as they escape and make their blood oath. Stan looks away, knowing even then he couldn't face IT again. I can't exactly blame him.

We read one last interlude with Mike, as he realizes that not only are all of them forgetting what happened, the words of the notebook are fading away. He makes peace with it, understanding this means IT is really dead. He spends some time lamenting the loss of his friends and the memories off his childhood, but he's wiser than to dwell on it.

Bill stays in Derry for a while, while Audra is still catatonic. He doesn't remember what caused her to be that way any longer, but knows how to restore her; for one last time, Bill rides Silver, rides to beat the devil. And he wins. They lost Eddie and Stan, but he wins Audra.

The novel closes detailing a dream Bill has of leaving Derry, even when he no longer can remember what it is, or why. He thinks of the immortality of childhood, of how he will write about the "sweet secrets" and morality of childhood; about how it's good to be young, but good to be an adult and ponder youth; about writing and stories and childhood and goodness.

'Or so Bill Denbrough sometimes thinks on those early mornings after dreaming, when he almost remembers his childhood, and the friends with whom he shared it.'

I've never read a final line that was so perfect, and stuck with me so well.

I don't think I can write anymore about the books themes, characters, or interpretations than I've already written. I'm still looking forward to the film in a few days, but it'll never capture the experience of reading this as a child the same age as the protagonists, or as an adult looking back almost as far as they did.

I hope you've enjoyed it.

Monday, September 4, 2017

The IT Spot: Rereading part 40

 Minor news note: Pennsylvania cops are anticipating more creepy clown sightings with IT coming out on Friday. Be aware, I guess.

 So.

I really don't want to talk about this, so it's gonna be brief.


While the kids are getting out of the sewers, they get lost, and the ka-tet begins to break down. So as both a literal and symbolic way to link them, and move them from childhood to adulthood, Bev has sex with each boy. It's all framed from Bev's perspective as she holds the adult/dead Eddie. I suppose it's as tasteful as it can possibly be, with eroticism taken out of it. It's still not a comfortable read, even if child Bev is fine with it.

The only, ONLY thing I can say, again, is that King was really deep into his drug and alcohol abuse at this point. That's the only reason this probably seem viable. How and why the editor let it go I'll never know. I really don't want to research into this a lot further.

I will say that as a child the same age reading this book for the first time, I osculated between a few reactions: confusion (I'd only had a little sex ed), some revulsion (not that they were kids, but that they were having sex at all: the same way I'd felt during the adult scenes), and some curiosity. It's been almost 20 years since my first readthrough, and that's what stuck with me. Yaaaaay.

On to easier things: above ground the destruction continues as the town dies with IT, the standpipe falling over at nearly the climax. Below, Bill and Ritchie find it, and Bill reaches into a hole and squeezes IT's heart until it explodes.


There's a lot more of them struggling above ground, and everything above ground going to shit (ending with the streets collapsing into the canal, and a lot more people dying) but we've reached the climax. They take the still alove but catatonic Audra and flee to the surface.

And unlike most other King books, we get a denouement that's the exact right length, and unspeakably  beautiful. But I'll try my best to wrap it all up next time.